Face Value: portraits from Wrenn School Northants and Charterhouse, Surrey 2002 - 2004
Face Value Peterborough Museum and Art gallery 2002
Dayne Year 8 : Face Value series
oil on canvas, 2003
Exhibited at the BP Portrait Awards, NPG, and Future Face, Science museum, London 2004
Installation view . Solo show Watts Gallery 2008 .
Future Face Science Museum, London
Installation view 2004
Wrenn Portrait : Face Value series
oil on canvas, 2003
Dan : Face Value series
oil on canvas, 2004
Head Boy/Girl and addition from Wrenn
oil on board, 2005
Wrenn pupil Year 8 : Face Value series
oil on canvas, 2003
Charterhouse pupil yr 12 Face Value
oil on board, 2005
Workshop at Wrenn school, Northants.
Head Boy Head Girl series, Charterhouse 2005 - 2019
Installation view: Head boy Head girl Woking Lightbox 2019
Head Boy Head Girl 2015
oil on canvas 120 x 100
Head Boy Head Girl 2018
oil on linen 60 x 120cm
Head Boy/Girl 2018
oil on linen 100 x 80cm
Private and State School Spaces
Wrenn Portrait - at the desk
watercolour, acrylic,graphite on paper, 2002
Wrenn corridor
oil on canvas 150 x 100cm, 2004
Charterhouse Corridor / Cloisters
oil on canvas 150 x 100cm, 2005
Charterhouse suspended Big Ground
oil on canvas 150 x 100cm, 2006
Charterhouse Cloisters: assembly
oil on canvas 150 x 100cm, 2016
Early Family Portraits 1999 - 2002
Joe Boy
oil on MDF, 1999
exhibited at the BP Portrait Awards, NPG
Father/Son
oil on MDF, 2001
exhibited at the BP Portrait Awards, NPG
Modern Suburban Family portrait after Jan Van Eyck 'Arnolfini Marriage'
oil on canvas, 2000
150 x 110cm
The Changeling 2008 - 2025
Changeling 2
oil on canvas
122 x 90cm
1st prize BP portrait award NPG 2009
Changelings installation view Cadogan Contemporary, London 2013
Changeling : relflexive
oil on linen
2025
Contact
oil on canvas 2012
Codogan Contemporary, London show installation 2013
Changeling 1
oil on canvas , 2008
160 x 110cm
Changeling 3
oil on canvas , 2010
160 x 110cm
Changeling Upwards
oil on board, 2010
70 x 50cm
Private Collection
Uncanny Likeness OVADA OXford 2009
Changeling: Fugative
oil on canvas , 2013
70 x 50cm x 2
exhibited at the Threadneedle, Prize Mall Galleries, London
Changeling: Snow
oil on canvas , 2010
160 x 110cm
Changeling 5
oil on canvas , 2010
160 x 110cm
Changeling :Levitate
oil on canvas , 20010
160 x 110cm
Levitate study
oil on canvas , 2011
70 x 50cm
Private Collection
Reach out
oil on canvas , 2011
70 x 50cm
Private Collection
Dance
oil on canvas, 2012
100 x 80cm
Clap
oil on canvas, 2012
100 x 80cm
touch
oil on canvas, 2012
100 x 80cm
Clap tryptich
oil on canvas, 2012
50 x 40cm each
Gaze
oil on board, 2012
74 x 110cm
Reanimation 2 charcoal on paper
Animation developed from archival photos of school pupils at Winchester College. An attempt to reanimate old images creates new ghostly cartoonish identities to the school boys.
Reanimation 1 charcoal on paper
Animation developed from archival photos of school pupils at Charterhouse. An attempt to reanimate old images creates new ghostly cartoonish identities to the school boys. A score by old boy Vaughn Williams is added for melodrama
Rings: Unity Video 4 mins 2007-2009
dimensions variable
Exhibited at the Jerwood Drawing Prize 2007 and 53rd Venice Biennale with Celeste Prize 2009
Rings reflects a refinement of my on going experimentation in automatic drawings produced by setting parameters of time, scale, format and drawing tools. The video records the action of my hand attempting to make a drawing, with the silver rings influencing movement and mark-making. The resulting silver deposits left on the surface trace my hands movement. The cropped format and recording in real time turn the whole action into the art object: the screen becomes the support and containing frame. As much as referencing Modernism's concerns with the refinement of form and content, I am just as interested in the references to marital rings, play and the creationist myth of god's hand creating the word - with his knuckles! Rings designed by Ruth Rignall (RCA)
Tics
The animation tracks the tics and sounds of a 6 year old autistic boy in an attempt to signify the exteme auditory and sensory experiences he may be going through