Face Value: portraits from Wrenn School Northants and Charterhouse, Surrey 2002 - 2004

 

 

Dayne Year 8 : Face Value series

oil on canvas, 2003

Exhibited at the BP Portrait Awards, NPG, and Future Face, Science museum, London 2004 

 

 

Installation view at the Science museum 2004       Watts Gallery 2008 .

Wrenn Portrait : Face Value series

oil on canvas, 2003

 

 

Dan : Face Value series

oil on canvas, 2004

 

 

Head Boy/Girl and addition from Wrenn

oil on board, 2005

 

Wrenn pupil  Year 8 : Face Value series

oil on canvas, 2003

 

Charterhouse pupil yr 12 Face Value

oil on board, 2005

 

 

 

Workshop at Wrenn school, Northants.

Exhibition  Face Value at Peterborough Museum and Art Gallery 2002. 

Head Boy Head Girl series, Charterhouse 2005 - 2019

 

 

Head boy Head girl Woking Lightbox 2019

 

 

Head Boy Head Girl 2015

oil on canvas 120 x 100

 

Head Boy Head Girl 2018

oil on linen 60 x 120cm  

 

Head Boy/Girl 2018

oil on linen 100 x 80cm  

 

Private and State School Spaces

 

 

Wrenn Portrait - at the desk 

watercolour, acrylic,graphite on paper, 2002

Wrenn corridor  

oil on canvas 150 x 100cm, 2004

 

Charterhouse Corridor / Cloisters   

oil on canvas 150 x 100cm, 2005

Charterhouse suspended Big Ground    

oil on canvas 150 x 100cm, 2006

Charterhouse Cloisters: assembly   

oil on canvas 150 x 100cm, 2016

Early Family Portraits 1999 - 2002

Joe Boy

oil on MDF, 1999

exhibited at the BP Portrait Awards, NPG

 

Father/Son

oil on MDF, 2001

exhibited at the BP Portrait Awards, NPG

 

Modern Suburban Family portrait after Jan Van Eyck 'Arnolfini Marriage'

oil on canvas, 2000

150 x 110cm

 

Reanimation 2 charcoal on paper

 

Animation developed from  archival photos of school pupils at Winchester College. An attempt to reanimate old images creates new ghostly cartoonish identities to the school boys.

Reanimation 1 charcoal on paper

 

Animation developed from  archival photos of school pupils at Charterhouse. An attempt to reanimate old images creates new ghostly cartoonish identities to the school boys. A score by old boy Vaughn Williams is added for melodrama

Domestic/ Movie Doodles 1998 - 2002

"My work tracks domestic activities such as watching movies, listening to music and interacting with my family. Many thousands of drawings were produced responding to ever changing ideas, thoughts and scenes. The spontaneous story boards are produced as if directing my own imagined movie, with the spectator being invited to decipher narratives within. The linear time-based act of viewing a movie, listening to music or having a conversation is transformed into a topographical trace. Although the doodles appear to be random I impose restraints on size, timescale and tools working within a modernist grid. In the past I referred to modernism, abstraction and colour field painting but increasing I am freeing up and using automatism in a more figurative way to explore portraiture."


Exhibitions included: Domestic Doodles Sackville Gallery London , Drawings on Time Modern Art Oxford 2000, Channel Surfing Alsager Gallery Manchester and Kings Lynn Art Centre.

 

Domestic Doodles detail 

pen and wash on paper, 1998

 

Movie Doodles: Transfiguration (horror)

each panel made in real time to movie duration

Graphite on canvas

 

 50 x 50cm x 5 

Movie Doodles: Boogie nights 2 hours 32 mins 

oil on canvas made whiles watching film

 50 x 50cm x 5 

Domestic doodles 24 hours

oil on canvas, 2000

100 x 100cm 

 

 

Movie Doodles exhibition view 

oil on canvas

 

Domestic doodles detail

 

 

Leaving Las Vegas 1 hour 52 mins

oil on canvas, video and alchohol.

100 x 80cm, 2001

Movie Doodles: American Beauty x 2  

oil on canvas, 2001

120 x 120cm

 

Breakfast at Tiffanies

Silver rings, drawings from silver surface filmed in real time whiles watching Breakfast at Tiffanies. 1 hour 55 mins

 

Sackville Gallery WI London 1998

 

 

 

Rings: Unity Video 4 mins 2007-2009

dimensions variable

 

Exhibited at the Jerwood Drawing Prize 2007 and 53rd Venice Biennale with Celeste Prize 2009 

 

Rings reflects a refinement of my on going experimentation in automatic drawings produced by setting parameters of time, scale, format and drawing tools. The video records the action of my hand attempting to make a drawing, with the silver rings influencing movement and mark-making. The resulting silver deposits left on the surface trace my hands movement. The cropped format and recording in real time turn the whole action into the art object: the screen becomes the support and containing frame. As much as referencing Modernism's concerns with the refinement of form and content, I am just as interested in the references to marital rings, play and the creationist myth of god's hand creating the word - with his knuckles! Rings designed by Ruth Rignall (RCA)